In contemporary societies, especially in the post-colonial context, performing as well as proving inclusiveness in regard to gender, race, ethnicity, and religion has become a potent means of sustaining public support and offering rationale. Subsequently, the term “cultural diversity” has gained great significance, yet without the clarification of the meaning and its latent representations. The following research objectives and literature review shed the light on how dialogue participants perceive and use the term diversity, and what roles does the articulation of difference play in shaping dynamics and intercultural dialogues.
Intercultural dialogue: Ethnography of dynamic, hegemony, and differentiation
This article is part of my ethnographic research proposal exercise on intercultural dialogue. There is plenty of space for improvement but I will leave it as it is for now and come back later for more development.
read more 〉 “Intercultural dialogue: Ethnography of dynamic, hegemony, and differentiation”
You can’t believe how much I love looking appropriate. Especially when it comes to listening to music. I appropriate to impress.
While I was working on office party planning ahead of Christmas day, I decided to buy a set of speaker so that we music lovers can listen to music as loud as our sing-along noise. A few days later, I set up the new speaker on my desk for a test run. Even for a test run, my music selection process isn’t usually quite simple. I consider several factors like emotion, audience, occasion, and so on. This time I chose from my playlists songs that involve bouncy beats such as dancehall and reggaeton that give African-y vibes.
read more 〉 “Aren’t we appropriating music?”